pi

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	<title>pi</title>
	<link>https://pierre-yvesdelannoy.com</link>
	<description>pi</description>
	<pubDate>Sun, 21 Jun 2026 17:13:03 +0000</pubDate>
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		<title>Collecte</title>
				
		<link>https://pierre-yvesdelannoy.com/Collecte</link>

		<pubDate>Wed, 15 Apr 2020 15:49:19 +0000</pubDate>

		<dc:creator>pi</dc:creator>

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		<description>info &#38;amp; news


works:
On va s’aimer et s’faire du blé
Speergebiet s.102-89
Cries (2:2)
Saut du Dragon
KHM46
MT6
The Shell Cannot Land on the Playhouse&#38;nbsp;
Weihnachtskostüm ohne FüllungUnder skin, breathes a working pain&#38;nbsp;
Pendant que les champs brûlent
Même sous la pluie, je t’attends&#38;nbsp;J’épouserai la pluie et le vent

Fières pouilleux
My First Granny
Wilkommen bei den Anonymen Getrockneten Augenlidern
ÉtiquettesDessine-moi un mouton

HandsetsIn my Family...&#38;nbsp;
Aux pédés
I felt your fleece in the tidal valley
 the picnic keeper’s camping isn’t nomadic&#38;nbsp;
A picnic under cover
J’ai encore soif
Vent de sable
4 charlotte
Je suis née de la bouche de ma mèreTrouve ta place!&#38;nbsp;(deux cent et une place.s d’Europe)&#38;nbsp;
 aaAAbBBBBBBEffGGGGGGlLMrRRRRRsSttuuuW&#38;nbsp;Ne me demande pas pourquoi  CO PAIN&#38;nbsp;BaladeDéfinitivement fermé&#38;nbsp;Embroideries on Cashier’s Ticket&#38;nbsp;f(l)aner&#38;nbsp;Taches ménagées
Main(s)Tenant(es)
Doucement s’entrucher
L’armoire à boîtes de coffres des trésors de l’univers&#38;nbsp;
27 jours entre Maman, Papa et Raphaël
L’habillé habitant&#38;nbsp;
Re_situer
duo works with Mauricio Hölzemann:

Running away is easy, it’s the leaving that’s hardDaisy Caress Pansy Success&#38;nbsp;
Mou rir&#38;nbsp;
group works:
langue de feu
A Community of Bodies 

RE-NATIONRUN


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all rights reserved ©2026 Pierre-Yves Delannoy

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		<title>On va s'aimer et s'faire du blé</title>
				
		<link>https://pierre-yvesdelannoy.com/On-va-s-aimer-et-s-faire-du-ble</link>

		<pubDate>Sun, 21 Jun 2026 17:13:03 +0000</pubDate>

		<dc:creator>pi</dc:creator>

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	On va s’aimer et s’faire du blé1 / Extractive practices2
2026, performative installation

pine wood, merino wool3, cotton, linen, latex, water, wheat flour, yeast, salt, polyethylene, polypropylene, steel, glass, Marseille soap4, Champagne chalk5variable size and time
shown in:
Kunstpavillon, München /DE
pictures: 
Stefan Freund
Stella Traub
Minjoon Kim


	EN/ In an era of neo-extractivist conquest and insatiable desires, this exhibition explores the place of bodies that work and bodies that love. With its ironic title, which seeks to unite love and money, this exhibition conceives the Kunstpavillon as a space of production in which bodies and living materials are jointly in the process of becoming. This performative installation unfolds in three phases: REVELING6, WALLOWING7 and BREWING8. From a collection of carefully selected objects from the realms of physical, craft and culinary labour, through to the beaten wool and a fermenting dough, something is being made, dissolved and reshaped.


1 We’ll love each other and make a lot of dough, the original French text uses the word ‘blé’ (wheat), a colloquial term for money, as wheat has historically been a symbol of prosperity in rural societies due to its status as a staple food.&#38;nbsp;
2&#38;nbsp;situations in which one party captures the value created by the other, without offering anything of real value in return, thereby creating a fundamentally unbalanced relationship.
3&#38;nbsp;wool from Merino sheep, native to Spain, which have been bred since the Middle Ages for the fineness of their wool.

4&#38;nbsp;vegetable oil-based soap, made in Marseille. 
5&#38;nbsp;school chalk made from limestone from the Champagne region. 
6 participating in joyful festivities.Taking intense delight in a specific feeling, situation, or accomplishment.

7 rolling around in mud or shallow water to cool down or protect skin. Indulging oneself without restraint in something, such as an emotion, a state of mind, or an excess of possessions, without taking action to change the situation.

8 to prepare a beverage by steeping, boiling, infusing and fermenting. To bring about. To be in the process of quietly forming.


FR/ À une époque marquée par la conquête néo-extractiviste et les désirs insatiables, cette exposition interroge la place des corps qui travaillent et qui aiment. Avec son titre ironique, qui voudrait unir amour et argent, cette exposition de Pierre-Yves Delannoy comprend le Kunstpavillon comme un espace de production où corps et matières vivantes évoluent ensemble. Cette installation performative se déploie en trois temps : REVELING6, WALLOWING7&#38;nbsp;et BREWING8. De la collection d’objets soigneusement sélectionnés issus des domaines du travail corporel, artisanal et culinaire, en passant par la laine foulée, jusqu’à une pâte en fermentation, quelque chose est fabriqué, dissous et remodelé.


1&#38;nbsp;blé est un terme d'argot pour désigner l'argent, dont l'origine vient du fait que le blé, denrée essentielle, représentait historiquement la richesse dans les sociétés rurales.2&#38;nbsp;pratiques extractives sont des situations où une partie capte la valeur créée par l'autre, sans contrepartie réelle, instaurant un rapport fondamentalement déséquilibré.3&#38;nbsp;laine issue du mouton mérinos, originaire d'Espagne, sélectionnée depuis le Moyen Âge pour la finesse de sa laine.
4&#38;nbsp;savon à base d'huile végétale, fabriqué à Marseille. 5&#38;nbsp;craie scolaire fabriquée à partir du calcaire de la Champagne. 
6&#38;nbsp;Fêter. Prendre part à des festivités joyeuses. Éprouver un immense plaisir face à un sentiment, une situation ou une réussite particulière. Se réjouir.
7&#38;nbsp;Fouler. Se rouler dans la boue ou dans de l'eau peu profonde pour se rafraîchir ou se protéger la peau. Se livrer sans retenue à quelque chose, comme une émotion, un état d'esprit ou une accumulation excessive de biens, sans rien faire pour changer la situation.
8&#38;nbsp;Fermenter. Préparer une boisson par macération, ébullition, infusion ou fermentation. Provoquer. Être en train de se former lentement.

DE/ In der Zeit der neo-extraktivistischen Eroberung und der undurchdringlichen Begierden befragt die Ausstellung den Platz der Körper, die arbeiten und die lieben. Mit seinem ironischen Titel, der Liebe und Geld vereinen möchte, begreift diese Ausstellung von Pierre-Yves Delannoy den Kunstpavillon als einen Produktionsraum, in dem Körper und lebendige Materialien gemeinsam im Werden sind. Diese performative Installation entfaltet sich in drei Zeiten: REVELING , WALLOWING 3 4 5&#38;nbsp;und BREWING . Von der Sammlung sorgfältig ausgewählter Objekte aus den Bereichen körperlicher, handwerklicher und kulinarischer Arbeit, über die gestampfte Wolle, bis hin zu einem Teig, der gärt, irgendetwas wird gemacht, aufgelöst und neu geformt.
1 Wir werden uns lieben und Kohle machen, im französischen Original steht „blé" (Weizen), umgangssprachlich für Geld, da Weizen als Grundnahrungsmittel in ländlichen Gesellschaften historisch ein Symbol für Wohlstand war.&#38;nbsp;
2&#38;nbsp;Extraktive Praktiken sind Situationen, in denen eine Partei den von der anderen geschaffenen Wert abschöpft, ohne eine echte Gegenleistung zu erbringen, und damit ein grundlegend unausgewogenes Verhältnis schafft. Ausbeutung.
3&#38;nbsp;Wolle von Merinoschafen, die aus Spanien stammen und seit dem Mittelalter wegen ihrer Feinheit gezüchtet werden. 
4&#38;nbsp;Seife auf Basis pflanzlicher Öle, hergestellt in Marseille.5&#38;nbsp;Schulkreide, hergestellt aus dem Kalkstein der Champagne. 6&#38;nbsp;Feiern. An fröhlichen Festlichkeiten teilnehmen. Sich intensiv an einem bestimmten Gefühl, einer bestimmten Situation oder einer bestimmten Leistung erfreuen. Sich austoben.
7&#38;nbsp;Walken. Sich im Schlamm oder im seichten Wasser wälzen, um sich abzukühlen oder die Haut zu schützen. Sich hemmungslos etwas hingeben, etwa einem Gefühl, einer Gemütsverfassung oder einem Übermaß an Besitztümern, ohne etwas zu unternehmen, um die Situation zu ändern.
8&#38;nbsp;Gären. Ein Getränk durch Ziehenlassen, Kochen, Aufgießen und Gären zubereiten. Bewirken. Sich gerade still und leise entwickeln.
 

	REVELINGpictures: Stefan Freund


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	WALLOWINGpictures: Stella Traub


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&#60;img width="2000" height="1499" width_o="2000" height_o="1499" data-src="https://freight.cargo.site/t/original/i/c458d8ec72f2086bf1faa44775c675f82c9928744234102e0cd4c79d4ba45c2d/2026_KP_T02_PY-Delannoy_85_foto-Stella-Traub_ret_PT.jpg" data-mid="249976774" border="0"  src="https://freight.cargo.site/w/1000/i/c458d8ec72f2086bf1faa44775c675f82c9928744234102e0cd4c79d4ba45c2d/2026_KP_T02_PY-Delannoy_85_foto-Stella-Traub_ret_PT.jpg" /&#62;


	after WALLOWINGpictures: Stefan Freund


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&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/8ed52d470d75061a58cdd08b99ef164985213265d7e87a6bff54d51e32e0a374/2026_KP_T02_PY-Delannoy_9523_foto-Stefan-Freund_PT.jpg" data-mid="249975676" border="0"  src="https://freight.cargo.site/w/1000/i/8ed52d470d75061a58cdd08b99ef164985213265d7e87a6bff54d51e32e0a374/2026_KP_T02_PY-Delannoy_9523_foto-Stefan-Freund_PT.jpg" /&#62;


	BREWINGpictures: Minjoon Kim
for the text go here


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	after BREWINGpictures: Stefan Freund


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&#60;img width="2500" height="1671" width_o="2500" height_o="1671" data-src="https://freight.cargo.site/t/original/i/794a2f45dc9aa62a374d6c991e1df20c018dae5795ce35a4716c21b532c8c997/2026_KP_T03_PY-Delannoy_9953_foto-Stefan-Freund_PT.jpg" data-mid="249975705" border="0"  src="https://freight.cargo.site/w/1000/i/794a2f45dc9aa62a374d6c991e1df20c018dae5795ce35a4716c21b532c8c997/2026_KP_T03_PY-Delannoy_9953_foto-Stefan-Freund_PT.jpg" /&#62;


	EN/ from the bus stop without bus, May 2026

Tell me, why is it ridiculous to breathe through your anus? If only I could sing with my asshole! Open&#38;nbsp;myself up, feel no shame. Let myself be crossed through , accept being in contact. I'm afraid of not knowing. I'm afraid of not being able to. I'm afraid of forgetting. As if I felt nothing. We would be part of something. Not to&#38;nbsp;turn the soil but to return to the earth. Don't worry, we'll get back there soon enough! Work, push and hoard.&#38;nbsp;Pick up the shit and to hell with it.&#38;nbsp;And repeat!
20 times: I don't talk to my neighbour.
20 times: I keep my mouth shut!
20 times: I stay put!
20 times! 20 times! Twenty times! 20 times: I obey.&#38;nbsp;But obey whom?

Don't you think Bic pens smell of almonds? My hands hurt. It smells of the corridor with its lined-up&#38;nbsp;coat hooks and warm piss running down my legs covered in shame. It smells of the urge to escape and unfinished&#38;nbsp;homework. Rather than writing to you with my almond pen, I watch my fingers move. A sequence of gestures that&#38;nbsp;writes stories too. These movements that pass through, pass through us, through matter and generations. They&#38;nbsp;are permeable. And I would like to be permeable too.
Will you marry me? Almost certainly not!
Oh Work, work of love. The love of work. I'm rambling. Labour of our hearts. You're pulling the wool over my&#38;nbsp;eyes. I no longer know whether I am kneading the dough or the other way around!

Anyway, all this to say that I want to felt, to felt as large as bodies. A kind of blanket, great swaths of&#38;nbsp;skin. Shrouds for our infertile loves . I want to plough our sheets. I must roll, roll like the harvester, roll like the tractor or the plough. Yet I will gather nothing.&#38;nbsp;Don't dream.&#38;nbsp;You must tread, you must beat and turn back. Bury in order to better flee. I am afraid of my voice. I don't want to&#38;nbsp;hear the inside of my body, I am afraid of making that dampness invaded cave resound.
And yet, we will sing.
You’ll teach me.

PS: That's my grandad in the poster.


FR/ depuis l’arrêt de bus sans bus, Mai 2026

Dis-moi, pourquoi c’est ridicule de respirer par l’anus ? Si seulement je pouvais chanter avec mon trou&#38;nbsp;du cul! M’ouvrir, ne pas avoir honte. Me laisser traverser , accepter d’être en contact. J’ai peur de ne pas&#38;nbsp;savoir. J’ai peur de ne pas pouvoir. J’ai peur d’oublier. Comme si je ne ressentais rien. Nous ferions partie de&#38;nbsp;quelque chose. Ne pas retourner la terre mais retourner à la terre. T’inquiète pas, on y retournera assez vite !&#38;nbsp;
Travaille, pousse et amasse. Ramasse la merde et les emmerde.&#38;nbsp;Et puis répète !
20 fois : je ne parle pas à mon voisin.
20 fois : je ferme ma gueule !
20 fois : je reste là !
20 fois ! Vingt fois ! Vin foie ! 20 fois : j’obéis.&#38;nbsp;Mais obéir à qui ?

Tu trouves pas que le stylo bic, ça sent l’amande ? J’ai mal aux mains.
Ça sent le couloir aux portemanteaux alignés et la pisse chaude qui coule le long de mes jambes couvertes de&#38;nbsp;honte. Ça sent l’envie de s’échapper et les devoirs pas terminés. Plutôt que de t’écrire avec mon stylo à&#38;nbsp;l’amande, je regarde mes doigts bouger. Une suite de gestes qui écrit aussi des histoires. Ces mouvements qui&#38;nbsp;traverse, nous traverse, matières et générations. Ils sont perméables. Et moi aussi j’aimerai être perméable.
Veux-tu m’épouser ? Sûrement que non !
Oh Travail, travail de l’amour. L’amour du travail. Je délire. Labeur de nos cœurs. Tu m’enfumes. Je ne sais&#38;nbsp;plus si c’est moi qui pétris la pâte ou l’inverse !

Enfin, tout ça pour te dire, que je veux feutrer, feutrer grand comme des corps. Des sortes de&#38;nbsp;couvertures, des grandes peaux. Des linceuls à nos amours infertiles. Je veux labourer nos draps. Je dois rouler, rouler comme la moissonneuse, rouler comme le tracteur ou la charrue. Cependant je ramasserai rien.&#38;nbsp;Ne rêves pas.&#38;nbsp;Tu dois fouler, tu dois battre et rabattre. Enfouir pour mieux fuir. J’ai peur de ma voix. Je ne veux pas entendre&#38;nbsp;l’intérieur de mon corps, j’ai peur de faire résonner cette grotte envahie par l’humidité.
Pourtant, on va chanter.
Tu m’apprendras.

PS: C’est mon pépé sur l’affiche.

DE/ von der Bushaltestelle ohne Bus, Mai 2026

Sag mir, warum ist es lächerlich, durch den Anus zu atmen? Wenn ich doch nur mit meinem Arschloch&#38;nbsp;singen könnte! Mich öffnen, mich nicht schämen. Mich durchqueren lassen , akzeptieren, im Austausch bleiben. Ich habe Angst nicht zu wissen. Ich habe Angst nicht zu können. Ich habe Angst zu vergessen. Als ob ich nichts&#38;nbsp;fühlen würde. Wir wären Teil von etwas. Erde nicht umkehren, sondern zur Erde zurückkehren. Keine Sorge, wir&#38;nbsp;kommen schnell genug dahin zurück! Arbeite, schiebe und sammle. Sammle den Mist und scheiß auf ihn.&#38;nbsp;Und dann wiederhole!
20 Mal: Ich soll nicht mit meinem Tischnachbarn reden.
20 Mal: Ich halte die Klappe!
20 Mal: Ich bleibe hier!
20 Mal! Zwanzig Mal! Zwanzig Mahl! 20 Mal: Ich gehorche.&#38;nbsp;Aber wem soll ich gehorchen?

Findest du nicht, dass ein Bic-Stift nach Mandeln riecht? Meine Hände tun weh. Es riecht nach dem&#38;nbsp;Flur mit den aufgereihten Garderoben und der warmen Pisse, die an meinen schambedeckten Beinen&#38;nbsp;herunterläuft. Es riecht nach dem Wunsch zu fliehen und nach halbfertigen Hausaufgaben. Anstatt dir mit&#38;nbsp;meinem Mandelstift zu schreiben, schaue ich meinen Fingern beim Bewegen zu. Eine Abfolge von Gesten, die&#38;nbsp;auch Geschichten schreibt. Diese Bewegungen, die durchqueren, uns durchqueren, Materie und Generationen.&#38;nbsp;Sie sind durchlässig. Und ich möchte auch durchlässig sein.
Willst du mich heiraten? Sicher nicht!
Oh Arbeit, Arbeit der Liebe. Die Liebe der Arbeit. Ich fantasiere. Mühsal unserer Herzen. Du vernebelst mich.&#38;nbsp;Ich weiß nicht mehr, ob ich den Teig knete oder umgekehrt!&#38;nbsp;
Also, das alles nur um dir zu sagen, dass ich filzen will, filzen so groß wie Körper. Eine Art von Decken,&#38;nbsp;große Häute. Leichentücher für unsere unfruchtbaren Lieben . Ich will unsere Laken pflügen. Ich muss rollen, rollen wie der Mähdrescher, rollen wie der Traktor oder der Pflug. Dennoch werde ich nichts ernten.&#38;nbsp;Träume nicht.&#38;nbsp;Du musst treten, du musst schlagen und umschlagen. Vergraben um besser zu fliehen. Ich habe Angst vor meiner&#38;nbsp;Stimme. Ich will das Innere meines Körpers nicht hören, ich habe Angst, diese von Feuchtigkeit befallene Höhle&#38;nbsp;zum Klingen zu bringen.
Und doch werden wir singen.
Du wirst es mir beibringen.

PS: Das ist mein Opa auf dem Plakat.


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all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>Speergebiet s.102-89</title>
				
		<link>https://pierre-yvesdelannoy.com/Speergebiet-s-102-89</link>

		<pubDate>Sat, 11 Apr 2026 16:29:06 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/Speergebiet-s-102-89</guid>

		<description>


	Speergebiet s.102-89*
2026, embroidery on paper
cotton, paper0,29*0,43 m

shown in:
Tongewölbe T25, Ingolstadt /DE
pictures: Annette Kradisch


*spear area p.102-89
*zone d’exclusion p.102-89&#38;nbsp;


	EN/ The military training areas in Grafenwöhr (Bavaria), Bergen and Munster (Lower Saxony) are among the largest used by the German and US armies in Europe. Surprisingly, these areas serve as important refuges for biodiversity. 


FR/ Les terrains d'entraînement militaires de Grafenwöhr (Bavière), Bergen et Munster (Basse-Saxe) comptent parmi les plus vastes des armées allemande et américaine en Europe. Ces zones constituent, contre toute attente, d'importants refuges pour la biodiversité. 
DE/ Die Militärübungsplätze in Grafenwöhr (Bayern), Bergen und Munster (Niedersachsen) gehören zu den größten der deutschen und amerikanischen Armee in Europa. Diese Gebiete sind überraschenderweise wichtige Rückzugsgebiete für die Biodiversität.
  

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&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/884b4fbf4ccba04724299935312f3bdff5014a29733b9e371f4428f28df07828/T25_Delannoy_speergebiet_019_foto-Anette-Kradisch_RET.jpg" data-mid="247653348" border="0"  src="https://freight.cargo.site/w/1000/i/884b4fbf4ccba04724299935312f3bdff5014a29733b9e371f4428f28df07828/T25_Delannoy_speergebiet_019_foto-Anette-Kradisch_RET.jpg" /&#62;


all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>Cries (2:2)</title>
				
		<link>https://pierre-yvesdelannoy.com/Cries-2-2</link>

		<pubDate>Mon, 27 Apr 2026 22:15:27 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/Cries-2-2</guid>

		<description>


	Cries (2:2)*
2026, felt&#38;nbsp;
wool0,55
*0,94 m

shown in:Tongewölbe T25, Ingolstadt /DE
pictures: 
Annette Kradisch


*Screams (2:2)
*Schreie (2:2)


	EN/ Fighting cranes, fighting footballers. A reference to Oliver Kahn’s bite on Heiko Herrlich in 1999 during the 2–2 draw between FCB and BVB.


FR/ Des grues qui se battent, des footballeurs qui se battent. Une allusion à la morsure d'Oliver Kahn sur Heiko Herrlich en 1999, lors du match nul entre le FCB et le BVB (2-2).
DE/ Kämpfende Kraniche, kämpfende Fußballer. Eine Anspielung auf den Biss von Oliver Kahn gegen Heiko Herrlich im Jahr 1999 beim Unentschieden zwischen dem FCB und dem BVB (2:2).
 

&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/a310d3471ca497a870b9b267befff0b854509e210ecf6f5ec9b96f2281221aa1/T25_Delannoy_cries_033_foto-Anette-Kradisch_RET.jpg" data-mid="247653535" border="0"  src="https://freight.cargo.site/w/1000/i/a310d3471ca497a870b9b267befff0b854509e210ecf6f5ec9b96f2281221aa1/T25_Delannoy_cries_033_foto-Anette-Kradisch_RET.jpg" /&#62;
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all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>Saut du Dragon</title>
				
		<link>https://pierre-yvesdelannoy.com/Saut-du-Dragon</link>

		<pubDate>Mon, 27 Apr 2026 22:35:23 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/Saut-du-Dragon</guid>

		<description>


	Saut du Dragon*
2026, felt and crochet on objet &#38;nbsp;
cotton, wool, plastic0,88*0,92*0,21 m

shown in:Tongewölbe T25, Ingolstadt /DE
pictures: Annette Kradisch


*dragon's leap
*Drachensprung


	EN/ The Chinese myth of the Dragon Gate (Longmen) tells of a carp that transforms into a dragon after swimming upstream along the Yellow River and overcoming a waterfall. The number 276113243491765 represents a PIT microchip (Passive Integral Transponder). The individual digits stand for Germany (276), SAUT (1132), DU (43), DRAGON (491765), and thus add up to “German Dragons Leap” (Deutscher Drachensprung). For example, S is the 19th letter of the alphabet. S = 19, 1 + 9 = 10, 1 + 0 = 1, S is 1.


FR/ Le mythe chinois de la Porte du Dragon (Longmen) raconte qu’une carpe qui remonte le fleuve Jaune en franchissant une cascade se transforme en dragon. Le nombre 276113243491765 correspond à une puce PIT (transpondeur passif intégré). Les chiffres individuels représentent l’Allemagne (276), SAUT (1132), DU (43) et DRAGON (491765), formant ainsi l'expression « Saut du dragon allemand ». Par exemple, S est la 19e lettre de l'alphabet. S = 19, 1 + 9 = 10, 1 + 0 = 1, S est donc 1.
DE/ Der chinesische Mythos vom Drachentor (Longmen) erzählt, dass sich ein Karpfen, der den Gelben Fluss hinaufschwimmt und dabei einen Wasserfall überwindet, in einen Drachen verwandelt. Die Zahl 276113243491765 repräsentiert einen PIT-Mikrochip (Passive Integrale Transponder). Die einzelnen Zahlen stehen für Deutschland (276), SAUT (1132), DU (43), DRAGON (491765) und ergeben somit „Deutscher Drachensprung”. Beispielsweise ist S der 19. Buchstabe des Alphabets. S = 19, 1 + 9 = 10, 1 + 0 = 1, S ist 1.
 

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&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cae27523605230b3e87bf2276b32af08da5dff84e4e85e82aaa772591aea26c0/T25_Delannoy_saut-du-dragon_004_foto-Anette-Kradisch_RET.jpg" data-mid="247653682" border="0"  src="https://freight.cargo.site/w/1000/i/cae27523605230b3e87bf2276b32af08da5dff84e4e85e82aaa772591aea26c0/T25_Delannoy_saut-du-dragon_004_foto-Anette-Kradisch_RET.jpg" /&#62;


&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/ec72737f197417e7874f5cec42a2636c721ee6844b392ddb8fa056f449db43d9/T25_Delannoy_saut-du-dragon_009_foto-Anette-Kradisch_RET.jpg" data-mid="247653685" border="0"  src="https://freight.cargo.site/w/1000/i/ec72737f197417e7874f5cec42a2636c721ee6844b392ddb8fa056f449db43d9/T25_Delannoy_saut-du-dragon_009_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="3000" height="1995" width_o="3000" height_o="1995" data-src="https://freight.cargo.site/t/original/i/248c1ab3995e740f63483a242d6915b78cb70941cb7b8ead6496449330f67e81/T25_Delannoy_Ausstel-MT6_002_foto-Anette-Kradisch_RET.jpg" data-mid="247653689" border="0"  src="https://freight.cargo.site/w/1000/i/248c1ab3995e740f63483a242d6915b78cb70941cb7b8ead6496449330f67e81/T25_Delannoy_Ausstel-MT6_002_foto-Anette-Kradisch_RET.jpg" /&#62;


all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>KHM46</title>
				
		<link>https://pierre-yvesdelannoy.com/KHM46</link>

		<pubDate>Mon, 27 Apr 2026 22:39:11 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/KHM46</guid>

		<description>


	KHM46
2026, felt on objet &#38;nbsp;
wool, steel, cotton0,74*0,17*0,05 m

shown in:Tongewölbe T25, Ingolstadt /DE
pictures: Annette Kradisch


	EN/ No. 46 in the Brothers Grimm's “Children's and Household Tales” (KHM46): Fitchers' Bird. A woman escapes from a sorcerer by disguising herself as a bird using honey and feathers.


FR/ Numéro 46 des Contes pour enfants et pour le foyer (KHM46) des frères Grimm : L'Oiseau de Fitcher. Une femme échappe à un sorcier en se déguisant en oiseau à l'aide de miel et de plumes.
DE/ An Stelle 46 der Kinder- und Hausmärchen (KHM46) der Brüder Grimm: Fitchers Vogel. Eine Frau entkommt einem Zauberer, indem sie sich mit Honig und Federn als Vogel verkleidet.
 

&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3d75b4bec452cd709809461a8603b985ac13b28892626513b3b54d0d1c15142b/T25_Delannoy_KHM46_043_foto-Anette-Kradisch_RET.jpg" data-mid="247653702" border="0"  src="https://freight.cargo.site/w/1000/i/3d75b4bec452cd709809461a8603b985ac13b28892626513b3b54d0d1c15142b/T25_Delannoy_KHM46_043_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="1999" height="3000" width_o="1999" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c1fe6e79a01890ab56e1087454662eb312e08ea3218f62d95dc48ea5bbf35e5b/T25_Delannoy_KHM46_042_foto-Anette-Kradisch_RET.jpg" data-mid="247653701" border="0"  src="https://freight.cargo.site/w/1000/i/c1fe6e79a01890ab56e1087454662eb312e08ea3218f62d95dc48ea5bbf35e5b/T25_Delannoy_KHM46_042_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c7c27954b75de93130255bc890d0a0d4ba1dbf8879f2a93308a34c0d4544e9fd/T25_Delannoy_KHM46_037_foto-Anette-Kradisch_RET.jpg" data-mid="247653700" border="0"  src="https://freight.cargo.site/w/1000/i/c7c27954b75de93130255bc890d0a0d4ba1dbf8879f2a93308a34c0d4544e9fd/T25_Delannoy_KHM46_037_foto-Anette-Kradisch_RET.jpg" /&#62;


&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/68f797b2e4698213ec9881017c2133f3084c114827d02b7c0b176d30b002a6d1/T25_Delannoy_Ausstel-MT6_030_foto-Anette-Kradisch_RET.jpg" data-mid="247653703" border="0"  src="https://freight.cargo.site/w/1000/i/68f797b2e4698213ec9881017c2133f3084c114827d02b7c0b176d30b002a6d1/T25_Delannoy_Ausstel-MT6_030_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/8587e1cee310729096ce7478cb145e96281a4c8017503ae5a92503f5562ef8e5/T25_Delannoy_Ausstel-MT6_031_foto-Anette-Kradisch_RET.jpg" data-mid="247653704" border="0"  src="https://freight.cargo.site/w/1000/i/8587e1cee310729096ce7478cb145e96281a4c8017503ae5a92503f5562ef8e5/T25_Delannoy_Ausstel-MT6_031_foto-Anette-Kradisch_RET.jpg" /&#62;


all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>MT6</title>
				
		<link>https://pierre-yvesdelannoy.com/MT6</link>

		<pubDate>Mon, 27 Apr 2026 22:37:26 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/MT6</guid>

		<description>


	MT6
2026, felt on objet &#38;nbsp;
wool, steel, cotton0,74*0,24*0,05 m

shown in:Tongewölbe T25, Ingolstadt /DE
pictures: Annette Kradisch


	EN/ Male Telemetry 6 was a wolf born on the Munster military training area who was shot by police in 2016. The taxidermied body was initially put on display at the Lower Saxony State Museum in Hanover.


FR/ Male Telemetrie 6 était un loup né sur le terrain d'entraînement militaire de Munster qui a été abattu par la police en 2016. Sa carcasse empaillée a d'abord été exposée au Musée régional de Basse-Saxe, à Hanovre.
DE/ Male Telemetrie 6 war ein in der Militärübungsplatz von Munster geborener Wolf, der 2016 von der Polizei erschossen wurde. Der präparierte Tierkörper wurde zunächst im Niedersächsischen Landesmuseum Hannover ausgestellt.
 

&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/08bbf317f0ed26798442f6402ed31d4f55edd15505e8f4a2c5a82a16e0e97e3f/T25_Delannoy_MT6_041_foto-Anette-Kradisch_RET.jpg" data-mid="247653709" border="0"  src="https://freight.cargo.site/w/1000/i/08bbf317f0ed26798442f6402ed31d4f55edd15505e8f4a2c5a82a16e0e97e3f/T25_Delannoy_MT6_041_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8659e1828ab14a240549c407ce2a733094f27cac41118966bdddb61c983dfc0f/T25_Delannoy_MT6_040_foto-Anette-Kradisch_RET.jpg" data-mid="247653707" border="0"  src="https://freight.cargo.site/w/1000/i/8659e1828ab14a240549c407ce2a733094f27cac41118966bdddb61c983dfc0f/T25_Delannoy_MT6_040_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/15640db9aa075a5ed5f45d46543f1cb924a599c23caf9b5a97342317987c4b0f/T25_Delannoy_MT6_036_foto-Anette-Kradisch_RET.jpg" data-mid="247653705" border="0"  src="https://freight.cargo.site/w/1000/i/15640db9aa075a5ed5f45d46543f1cb924a599c23caf9b5a97342317987c4b0f/T25_Delannoy_MT6_036_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="1999" height="3000" width_o="1999" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f78101c0f2d7b79a7bb47e8ae4a7f2e779ec32aec03d41fea885a68076989f39/T25_Delannoy_MT6_038_foto-Anette-Kradisch_RET.jpg" data-mid="247653706" border="0"  src="https://freight.cargo.site/w/1000/i/f78101c0f2d7b79a7bb47e8ae4a7f2e779ec32aec03d41fea885a68076989f39/T25_Delannoy_MT6_038_foto-Anette-Kradisch_RET.jpg" /&#62;


&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/41f1dcc72fa35dfa9a7e899a873017864de2031951879857a71ef9601fb994b5/T25_Delannoy_Ausstel-MT6_030_foto-Anette-Kradisch_RET.jpg" data-mid="247653711" border="0"  src="https://freight.cargo.site/w/1000/i/41f1dcc72fa35dfa9a7e899a873017864de2031951879857a71ef9601fb994b5/T25_Delannoy_Ausstel-MT6_030_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/df5f26d21dce3e768fe91692d446cea9bbd408bbd9f8a734e5ec1a7dbf7984f8/T25_Delannoy_Ausstel-MT6_029_foto-Anette-Kradisch_RET.jpg" data-mid="247653710" border="0"  src="https://freight.cargo.site/w/1000/i/df5f26d21dce3e768fe91692d446cea9bbd408bbd9f8a734e5ec1a7dbf7984f8/T25_Delannoy_Ausstel-MT6_029_foto-Anette-Kradisch_RET.jpg" /&#62;
&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/77119b65c59c6fe692d9e95a53f257644fd70b87547b968a27cd90ecc9a418de/T25_Delannoy_Ausstel-MT6_031_foto-Anette-Kradisch_RET.jpg" data-mid="247653712" border="0"  src="https://freight.cargo.site/w/1000/i/77119b65c59c6fe692d9e95a53f257644fd70b87547b968a27cd90ecc9a418de/T25_Delannoy_Ausstel-MT6_031_foto-Anette-Kradisch_RET.jpg" /&#62;


all rights reserved ©2026 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>the shell cannot land on the playhouse</title>
				
		<link>https://pierre-yvesdelannoy.com/the-shell-cannot-land-on-the-playhouse</link>

		<pubDate>Sun, 14 Dec 2025 17:26:28 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/the-shell-cannot-land-on-the-playhouse</guid>

		<description>


	The Shell Cannot Land on the Playhouse*
2025, installationfelted wool, cotton
, coper, aluminium, polyester, plastic, water, light1,20*1,50*1,30 m

shown in:
Kunstverein München /DE
pictures: 
Milena Wojhan

*la coque ne peut atterrir sur la maisonnette*die Schale kann nicht auf dem Spielhaus landen


EN/ The installation reveals an architecture of fragility: where does play end and danger begin? Soft materials rest here on uncertain ground. The work opens up the space between memory and the present, between the protection we seek and the uncertainty on which we build.


FR/ L'installation montre une architecture de fragilité : où finit le jeu et où commence le danger ? Des matériaux souples reposent ici sur un sol instable. L'œuvre ouvre un espace entre le souvenir et le présent, entre la protection que nous recherchons et l'incertitude sur laquelle nous (nous) construisons.
DE/ Die Installation zeigt eine Architektur der Zerbrechlichkeit: Wo endet das Spiel und wo beginnt die Gefahr? Weiche Materialien ruhen hier auf ungewissem Grund. Die Arbeit öffnet den Raum zwischen Erinnerung und Gegenwart, zwischen dem Schutz, den wir suchen, und der Unsicherheit, auf der wir bauen. 


&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/8b4f87f4b58bff12069ece2901ece1a4209ff0ef36ba45d8b508413e3a6e66b0/KVM-2025_DEAD-GIRL_KV_050_Milena-Wojhan_RET.jpg" data-mid="247723248" border="0"  src="https://freight.cargo.site/w/1000/i/8b4f87f4b58bff12069ece2901ece1a4209ff0ef36ba45d8b508413e3a6e66b0/KVM-2025_DEAD-GIRL_KV_050_Milena-Wojhan_RET.jpg" /&#62;
&#60;img width="5053" height="7576" width_o="5053" height_o="7576" data-src="https://freight.cargo.site/t/original/i/1527bb8821c317acce6d7541ab5d495069797d56ee80bc5399aebadc7a2819cf/KVM-2025_DEAD-GIRL_KV_037_Milena-Wojhan.jpg" data-mid="241803335" border="0"  src="https://freight.cargo.site/w/1000/i/1527bb8821c317acce6d7541ab5d495069797d56ee80bc5399aebadc7a2819cf/KVM-2025_DEAD-GIRL_KV_037_Milena-Wojhan.jpg" /&#62;
&#60;img width="5056" height="7580" width_o="5056" height_o="7580" data-src="https://freight.cargo.site/t/original/i/b611c8a31a110ee405132e504075771204a83763844bcbf474cd9faf898c8060/KVM-2025_DEAD-GIRL_KV_041_Milena-Wojhan.jpg" data-mid="241803337" border="0"  src="https://freight.cargo.site/w/1000/i/b611c8a31a110ee405132e504075771204a83763844bcbf474cd9faf898c8060/KVM-2025_DEAD-GIRL_KV_041_Milena-Wojhan.jpg" /&#62;


&#60;img width="5226" height="7834" width_o="5226" height_o="7834" data-src="https://freight.cargo.site/t/original/i/084829597111fb5be7ba06e9f8b7e7e4ae78601bca9c0092aef61d3ff56c0b7c/KVM-2025_DEAD-GIRL_KV_136_Milena-Wojhan.jpg" data-mid="241803346" border="0"  src="https://freight.cargo.site/w/1000/i/084829597111fb5be7ba06e9f8b7e7e4ae78601bca9c0092aef61d3ff56c0b7c/KVM-2025_DEAD-GIRL_KV_136_Milena-Wojhan.jpg" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/371b3f5e2554e77b6bc6d3663589db6d9c2859edab860a558662fd419d6930f9/KVM-2025_DEAD-GIRL_KV_047_Milena-Wojhan.jpg" data-mid="241803342" border="0"  src="https://freight.cargo.site/w/1000/i/371b3f5e2554e77b6bc6d3663589db6d9c2859edab860a558662fd419d6930f9/KVM-2025_DEAD-GIRL_KV_047_Milena-Wojhan.jpg" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/ee750d4d685fc62c23a24228ee28d776875da0b42cfeba1d6db7dbf917dde05c/KVM-2025_DEAD-GIRL_KV_044_Milena-Wojhan.jpg" data-mid="241803340" border="0"  src="https://freight.cargo.site/w/1000/i/ee750d4d685fc62c23a24228ee28d776875da0b42cfeba1d6db7dbf917dde05c/KVM-2025_DEAD-GIRL_KV_044_Milena-Wojhan.jpg" /&#62;


all rights reserved ©2025 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>Weihnachtskostüm ohne Füllung</title>
				
		<link>https://pierre-yvesdelannoy.com/Weihnachtskostum-ohne-Fullung</link>

		<pubDate>Sun, 14 Dec 2025 20:16:29 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/Weihnachtskostum-ohne-Fullung</guid>

		<description>


	Weihnachtskostüm ohne Füllung*
2025, Objekt&#38;nbsp;postcard (aus der WG), paper, cotton, casted aluminium0,20*3,130*0,01 m


&#60;img width="1244" height="1658" width_o="1244" height_o="1658" data-src="https://freight.cargo.site/t/original/i/3fef7af4225e7ce78595fa3a38013c12af61e9773742c782da1481605bf5c5be/2025_Weihnachtskostum-ohne-Fullung_Pierre-Yves-Delannoy.png" data-mid="241809103" border="0"  src="https://freight.cargo.site/w/1000/i/3fef7af4225e7ce78595fa3a38013c12af61e9773742c782da1481605bf5c5be/2025_Weihnachtskostum-ohne-Fullung_Pierre-Yves-Delannoy.png" /&#62;


all rights reserved ©2025 Pierre-Yves Delannoy
</description>
		
	</item>
		
		
	<item>
		<title>my first granny</title>
				
		<link>https://pierre-yvesdelannoy.com/my-first-granny</link>

		<pubDate>Thu, 12 Sep 2024 11:56:11 +0000</pubDate>

		<dc:creator>pi</dc:creator>

		<guid isPermaLink="true">https://pierre-yvesdelannoy.com/my-first-granny</guid>

		<description>


	My First Granny*
2024, object
casted bronze0,14*0,14*0,01 m

shown in:
Various Others Special 2024, München /DE
pictures: 
Thomas Splett

*Ma première mémé*Meine erste Omi


	no text


&#60;img width="1201" height="1800" width_o="1201" height_o="1800" data-src="https://freight.cargo.site/t/original/i/87b7d7730fe1b41cca299a70649f1cd41d2e95ee29e0d77b0e2f0c6c4b16c09d/vo_special_web-024.jpg" data-mid="218061088" border="0"  src="https://freight.cargo.site/w/1000/i/87b7d7730fe1b41cca299a70649f1cd41d2e95ee29e0d77b0e2f0c6c4b16c09d/vo_special_web-024.jpg" /&#62;
&#60;img width="2000" height="2998" width_o="2000" height_o="2998" data-src="https://freight.cargo.site/t/original/i/e8b03b10318c3c02b81c2b584b9de7c8ba11acb9f5a7180238861cabcbd6bba4/Pierre-Yves-Delannoy_2024_my-first-granny_photo-Thomas-Splett_01.jpg" data-mid="219377109" border="0"  src="https://freight.cargo.site/w/1000/i/e8b03b10318c3c02b81c2b584b9de7c8ba11acb9f5a7180238861cabcbd6bba4/Pierre-Yves-Delannoy_2024_my-first-granny_photo-Thomas-Splett_01.jpg" /&#62;


	&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/a501d5cdb0051476f714f94eecb54397f23dd67f032a374d031297e84552084d/vo_special_web-022.jpg" data-mid="218061086" border="0"  src="https://freight.cargo.site/w/1000/i/a501d5cdb0051476f714f94eecb54397f23dd67f032a374d031297e84552084d/vo_special_web-022.jpg" /&#62;


all rights reserved ©2024 Pierre-Yves Delannoy
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